After deciding the method in which I wanted to work, which was using a light-box to paint the comic panels using watercolour and ink, I needed to create a more definite draft for the comic. I focused more on dialogue placement here, I thought more about where a reader would naturally expect the next speech-bubble to be. For the method I chose, the style of drawing had to be more simplistic, because the more detail the less-successful painting over a light-box would be. On the second page of comic panel sketches, there are also for the film negative panels. These panels have a more uniform, regular panel placement, the reason for this was in my earlier drafts I quickly realised that a messier, more irregular system of panel placement was not practical, looked worse, and was not as clear.  

Below is a photo of how these sketches were used to create the final outcome;